Scott's Tips (Part 3)
Tip #10
My Favorite Quotes and Sayings That Apply to Musicianship
So much of what we as musicians accomplish is due to our mindset or philosophies. We as guitarists live in the age of the "Lick of the Month" club. We expect some dude or dudette to sit in their room transcribing the coolest licks for us so that some lame guitar magazine can plop it on a silver and feed it to us. Sadly, many players can regurgitate licks, but they lack the heart, desire and insight, that true musicians have. I do not expect you to adopt all (or any) of these thoughts I have collected, but they are definitely part of what I am. I hope a few of them at least make sense to you.
- "Patience is Bitter but it's products are sweet" Nietzsche
- "Ya Gotta Wanna" Dr. Robert E Lee (no, not the dude from the civil war)
- "Practice does not make perfect,Perfect practice makes perfect!"
- "Simplify,....Slow it Down and/or Play Less Stuff" Yours Truly
- "Wood Shed"
- "Go for the Throat"
- "Positive Aggression" Yours Truly
- "No one can practice for you." Yours Truly
- "Competitions are for horses." Bela Bartok
- "Just Do It" Nike Commercial (no kick backs)
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Tip #11
Changing Chords Smoothly
One of the biggest hurdles to jump as a guitarist, is the mastery of two or three chords. It requires the conditioning of unwilling muscles and tendons to properly play chords.
- Before strumming through all of the strings contained in a chord, Pick each note individully. Make sure that each note of the chord sounds clearly, allow no "dead" or muted notes
- Dead notes: How to bring them to life It is neccessary to ask one's self why isn't this note sounding. If you are bumping a string with the back part of a finger you probably need to arch your fingers more. Sometimes you simply need to apply more pressure(only where it's needed)
- Switch chords on the beat Let's say we are working on switching from G to D. Count slowly 1,2,3,4,1,2,3,4, keep that going. The first step in switching will be to strum G on beat 1 then begin forming the D chord on beat 2. Strum D on beat one, begin preparing G on beat 2. Keep doing this. Strum on 1 even if your fretting hand isn't ready. It may sound bad, but your fretting hand will "know" to be quicker next time around.
The next thing to do is to "raise the bar" a bit. Repeat what you did before but keep each chord down until the count of 3 before beginning to form the next chord. You may want to slow the tempo down a bit when taking this step. This makes you get it together one beat sooner. Remember to strum the chord even if it is not fretted correctly. You must play steady time.
Then, wait until the count of 4 before beginning the chord change.
When you are really getting good, you will be able to switch from one chord to another almost instantly!
- Form the Chord Shape in Mid-Air Play whichever chord you are working on. Take your fingers barely off of the strings while maintaining the shape of the chord. Now press and release that shape (50-100 repetitions). This will help to "burn" the chord shape in to your muscular memory.
- Lots of Correct Repetitions We are talking hundreds to thousands. (Quit your whining; you are the one who wants to be good at this) OK, so maybe you weren't whining. My old saying goes, "If you can't change your chrds smoothly then you haven't practiced changing chords enough. (Hey, I know that's not profound but it is the absolute truth) If you want the chords to change smoothly in one day, it's possible with a few hours of work. It will take as long as you let it.
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Tip #12
Abandon 90% of all Visual Media
This is how most people can FIND the time to practice that don't think they have.
- TV
- VCR
- Video Games
- Web Surfing
- Chat Rooms
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Tip #13
Be an Archaeologist (Dig Deeper than the Surface)
Some only know the music that is going on currently. Some only know the music that is from the past. Some limit themselves to one, maybe two styles of music to listen to. We all have limits, but it is up to each of us to determine the extent of those limits. Be open to learning from music that you may not have thought "worthy" of listening.
- Pick a current favorite artist of yours. Read an article about them. Research what his/her/their favorite artist or artists were. Buy a recording and see what you think. There have been times that I have done this and I have ended up liking the influenc-er more than the influenc-ee. Yo, Check It!
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Tip #14
Gaining Familiarity With the Bass and Guitar
- A 1/2 step is 1 frets distance. A whole step is 2. Knowing that the natural 1/2 steps occur between e-f and b-c, on each single string, say aloud while playing every single natural note up to the twelfth fret. For example , on the A string, A,B,C,D,E,F,G,AThe 12th fret is the octave of whichever string you are on. The fret markers on the fingerboard and the side of the neck correspond the same letter names one octave higher(12 frets higher).
- Associate the notes on the neck used for relative tuning.
- Familiarize the shape of particular intervals as they lay on the fingerboard. Start with octaves, as they will expand your ability to find the same letter-named note on a different part of the neck.
- Applying the above knowledge, play the following "game." Name any note. Let's say, G. Now , without allowing ANY mistakes, locate every G on the instrument. No guessing, no wrong answers allowed, PERIOD? (The natural 1/2 steps are e,f and b,c every other consecutive note is a whole step.)
- Enable yourself to become a fluent reader on your instrument. This is an on going process with many rewards.
- Learn and apply music theory to your instrument. (scale and chord construction etc.)
- Maintain (or develop) a child-like curiosity for learning and discovering new things in music.
- Know what a whole or a half step looks like when going to the next string. Believe it or not, many string players know what half and whole steps look like on a single string, but are dumfounded by what to do going from one string to next. If you are one of those people, try this. On a single string, at the 5th fret, play a note with the first finger. Then play a note one whole step higher in pitch with the third finger. Do it again while singing both notes. Now, play the note that WAS played by the first finger with the 4th finger. Using your ear, find the note formerly played by the 3rd finger with your 1st finger.(This is much easier to show than to explain)
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Tip #15
Using a Metronome for Maximum Musical Improvement
What the hell is a metronome? It is a mechanical or electronic time -keeping device. It is used by musicians to maintain or develop a steady tempo. A metronome is the single most important tool a musician can possess other than their instrument itself.
Metronomes range in price from $15.00 to $200.00, depending on their quality. They are calibrated to "tick" from 40 to 208 beats per minute.
What benefits are there in using a metronome?
- keeping time while practicing
- keep an accurate record of/ and guage progress (or lack of) on a given exercise or piece
- to know proper tempos given for anexercise or piece
- expose technical difficulties within an exercise or piece
- to push your technical limits and escape the dreaded plateau
How to Use a Metronome
Be sure to play with the metronome. Many people turn it on and are then oblivious to it's steady pulse. It is then reduced to background noise.
More later, peace frog brutha! Nine dimes is mine so fine don't drink brine it do nuttin' fer yah spine.
I'm tired.
Tip #16
Create Your Own Opportunities
Do not wait around thinking that opportunities of a musical nature will fall in your lap. You need to pursue what you want.
- If you want to be in a band, start one!
- If you want to play at a talent show, do it.
- If you want to write a song, do it.
- If you want to get really good, do it.
- If you want to learn a song by ear, do it.
- If there are no weekly jam sessions, start one at your house or a friend's house.
- Book a performance. Even if it means telling your brother, sister, Ma, Pa or friend that you will play them "Row, Row, Row, Your Boat" for them next Tuesday night. When I have a gig to work for my practice is far more productive and meaningful.
Tip #17
Play Gigs!
A gig is a musical performance. Whatever you do, play for others, regardless of the size of the audience. Here are some ideas.
- Play for Ma, Pa, a brother, sister a friend,...........
- Play at a religious event.
- Play for kids.Volunteer at a school.
- Play for the elderly.Nursing homes welcome performers, usually.
- Play at open mic nights
- Play in a park (If you get tips, be careful you are not in violation of any city, county, or state ordinances!)
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Tip #17
Positive Attitude
- More is accomplished with a positive attitude.
- Other musicians want to play with positive people than with negative people.
- Face it, if you do not have a good attitude towards music and practicing, sell the damned instrument!
- If you want to acheive something, it will happen. (You know the rest of the story)
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Tip #18
The Three Types of Musicians (As I See It!)
- Those who know what they need to work on and choose to do it.
- Those who know what they need to work on and choose NOTto do it.
- Those who have no idea what they need to work on and thus can't work on it.
Tip #19
Playing by Ear Part 3/Creative use of Your Listening Device
The device used to play the music you are trying to learn, can be of great assistance to you if used properly. When we listen to music for pleasure, we adjust the treble, bass, equalization and balance so that the music sounds as good as possible. When transcribing, these same controls can be used to "zero in" on certain elusive sounds. The sound you may need to dial in may not be a "good" sounding setting, but it may be a helpful strategy for helping the process.
Let's pretend we are trying to learn a bass guitar part on a recording. The bass part we are listening to is not very prominent in the mix, thus it is difficult to pick up on...............
- Balance If your stereo has a balance control, try turning it to hard left speaker or hard right speaker. In studio language, this is called panning. You may notice that the bass track stands out more on one track or the other.
- Equalization EQ allows the adjustment of high mid and low frequencies to please the listener. For our purposes, I will include bass, treble and mid controls with graphic EQ controls.
You may discover , after some experimentation that certain frequncies cause a part to "jump out" at you. As I stated above, the desired result may not sound optimal, but may allow you to more easily discern what has been played.
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