
WESTERN SWING:
Country music and jazz today are thought to be complete opposites. But, when these genres are examined in a little more detail, there is a big link between the 2. There’s more in common between such artists as Frank Sinatra and Johnny Cash than one may think.
The sub-genre of country music called Western Swing is where jazz, blues and mountain music met in the 1920s. As with most forms of country music, it was Jimmie Rodgers who initialised the basic ideas of what would be called Western Swing . On such records as "Mean Mama blues", "Blue yodel #9", "Blue yodel #4 - California blues", "Blue eyed Jane" and "Sweet Mama hurry home", Jimmie mixed blues, hillbilly and jazz at will. Rodgers had initialized not only Western Swing - but also country music and white blues with such songs.
Who actually invented the term ‘Western Swing’ is unsure. But, anyway, after Rodgers’ 1933 death, many artists began to develop on his styles. Some concentrated on his yodelling, others on his hillbilly - but many more on his jazzy blues and oldtime pop sides. This gave impetus to Western Swing and many hillbilly bands began to use instruments like saxophones, clarinets, trumpets, piano and so on for a jazzy or bluesy effect.
Some of the first of these bands included Cliff Bruner and the Texas Wanderers (probably the best of the band, especially because of the multi-faceted singer/pianist Moon Mullican and Bruner himself - who excelled on fiddle), The Lightcrust doughboys, Milton Browne and his Brownies, Pee Wee King, Adolph Hofner and the most famous, Bob Wills and the Texas Playboys. All of these did many black blues and jazz songs, as well as the pop hits of the time and pure country. The singers with these bands such as Moon Mullican and Tommy Duncan were very versatile and their purpose was to be able to sing any style of music. Their repertoires contained such blues standards as "Old Joe Turner blues", "Milk cow blues", "New falling rain blues", "Corrine, Corrina" and "What’s the matter with the mill".

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